The Shot Transition in New jeans MV "How Sweet"
I am extremely interested in the shot transition of this amazing MV, here is what I found, I might be wrong but it’s just for fun. I added the observer, the main camera, after the timestamp.
0:00 Dog
0:13 Dove
0:23 Hanni
0:29 Hyein
0:23 Dove
0:35 Dog
0:36 Haerin
0:47 Dove in the Sky
0:51 Surveillance Camera at a crossroad
0:56 Camera Crane(This should be the first traditional camera)
1:15 Dove in the Sky
1:18 Fly
1:22 Fly swallowed by lizard
1:29 Inside lizard’s stomach(Should be)
1:45 Haerin
1:50 Truck driver
1:52 Cows on the truck
1:56 Spider on the back of the truck
1:58 Camera Crane
2:13 See through the windows from the other side of the train(very funny slow motion effect).
2:16 Minji
2:19 Goldfish
2:20 Hanni
2:21 The toy in Hanni’s hand.
2:23 Danielle
2:26 Hyein
2:27 Shopkeeper
2:32 Left: Haerin, Right: The passerby couple.
2:36 Left: Haerin, Right: Danielle’s Phone.
2:40 Left: Haerin, Right: The motorbike under the bridge.
2:44 Left: Haerin, Right: The older woman and the cat on the balcony
2:46 Left: Haerin, Right: Bird flying by.
2:51 Surveillance Camera at a crossroad
2:58 Surveillance Camera at the shopfront of the lamp store.
3:00 The Fly on the surveillance camera at the shopfront of the lamp store.(Another funny spinning view)
3:07 From here to 3:09 The pass-bys circling them view from different angles
3:09 Camera Crane
3:18 One of the lamps
3:22 Minji, because in the sight there is something like piled boxed on the left, and Minji is the one to the very left. If there is someone on her left, there should be some clue.
3:23 The fixer without glasses.
3:25 The fixer put on the glasses and focused on Minji, this kind of proved my guess.
3:27 The driver Minji.
3:28 Hanni
3:29 Hyein
3:30 Minji then Hyein
3:32 Can’t say this is the same dove, or should it be a stalker dove?
3:34 The toy rabbit.
3:37 Hyein and move into the cassette player.
3:47 This scene appeared before in the lizard’s stomach, but I guess there should be another meaning about this, and this is the only one I can’t decode directly, I hope some dear bunnies can help.
As always when I see new jeans girls standing there and look upward, even the background is dark water, I still can see the healthy and independent girlish style, not the male-gaze thing, I love how this MV’s director handles so many eccentric but very innovative camera views, It should be a good answer to “Without male-gaze what way should we look at shining teenage girls?”